Maroc : Le gouvernement Akhannouch temporise la réforme des retraites    Détournements de fonds au consulat marocain à Dubaï : le principal suspect arrêté    Procédure civile : le texte recadré par la Cour arrive au Parlement    Sahara : de Laâyoune à Fès, la société civile trace un nouvel axe de plaidoyer    Plan d'autonomie marocain : L'événement diplomatique le plus marquant du monde arabe en 2025    Nadia Fettah Alaoui : « Les investissements marocains en Afrique ont atteint 5 milliards de dirhams en 2024 »    Visas : le Burkina Faso impose la réciprocité aux ressortissants américains    Tebboune : «Nous ne sommes pas Sahraouis plus que les Sahraouis»    La croissance économique au Maroc a ralenti au cours du troisième trimestre de 2025    Phosphates et dérivés : plus de 87,14 MMDH d'exportations à fin novembre    Bilan 2025. Mohamed El Jaouadi: « Dans le secteur maritime, le Maroc confirme son statut de hub continental »    Aide sociale directe : 49 MMDH mobilisés depuis le lancement du dispositif    Digitalisation des procédures : Bank Al-Maghrib lance la gestion dématérialisée des contrats d'achats    La DGI publie l'édition 2026 du Code général des impôts    CMGP Group retenu pour la réalisation du réseau de distribution hydraulique du projet hydroagricole de Saïss    La Bourse de Casablanca termine dans le vert    Guinée : Mamadi Doumbouya remporte de la présidentielle    Bœuf importé : la Chine enclenche un virage protectionniste calculé    La Bulgarie, membre de la zone euro à compter du 1er janvier    Une ressortissante portugaise condamnée pour homicide serait en cavale au Maroc    Verdicts à Marrakech : peines de prison pour les émeutiers de Génération Z    CAN 2025 : Les 16 équipes qualifiées pour les huitièmes de finale    Bodom Matungulu : "La CAN est un bon accélérateur de la coopération Sud-Sud"    CAN 2025 au Maroc : les Lions de l'Atlas fixés sur la Tanzanie pour les huitièmes    ONDA: La ferveur de la CAN s'empare des aéroports du Royaume    CAN au Maroc : Au total, 118 personnes ont été arrêtées pour revente illégale de billets    Bulletin d'alerte : Rafales de vent localement fortes vendredi dans plusieurs provinces    Modèle des Groupements sanitaires territoriaux : Des indicateurs positifs à plusieurs égards    Casablanca : poursuites contre deux mineurs pour avoir arraché le drapeau de l'Algérie, pays participant à la CAN    Elias Al-Malki bénéficiera d'une peine alternative avec 900 heures de service communautaire    Brigitte Bordeaux - Brigitte Bardot    Musique et arts de la scène : 56 projets soutenus au titre de la 2e session de 2025    Madonna choisit Marrakech pour une escapade en famille    Prix sportifs : la FIFA met fin aux trophées The Best    Yémen : les Émirats mettent fin aux missions de leurs dernières unités antiterroristes    Premier League : la J19 à cheval sur 2025 et 2026    Avec Nedjim Bouizoul, tout va Labess!    Institut de l'UNESCO pour l'apprentissage tout au long de la vie : le Maroc élu à la tête du Conseil d'administration    Mondial 2026 : 250 millions de dollars pour sécuriser l'espace aérien américain    Gaza : la France appelle, avec une coalition internationale, à lever les entraves à l'aide humanitaire    CAN 2025 : les Lions de l'Atlas entrent en mode conquête    Main-d'œuvre : les Baléares recrutent des chauffeurs au Maroc    Pluies, neige et oubli : Chronique d'un pays à deux vitesses    Marrakech : l'exposition « Mohammed Ben Allal, récits du quotidien » au musée Jamaâ el-Fna    CAN 2025 : Marrakech vue de l'Ouganda    Heirs of Greatness Day célèbre l'artisanat d'excellence africain    Les Émirats refusent d'être impliqués dans les événements en cours au Yémen    Malgré les stéréotypes, le darija gagne en popularité parmi les apprenants étrangers de l'arabe    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Diaspo #60 : Bouchera Azzouz, a documentary director who empowers women
Publié dans Yabiladi le 06 - 10 - 2018

Raised in Saint-Denis, France, documentary director and writer Bouchera Azzouz is a feminist creator. Today, she accompanies women from the suburbs to help them be independent and autonomous.
Moroccan documentary filmmaker Bouchera Azzouz grew up and studied in France, after her father decided out of the sudden to leave the country. Her mother kept looking for her husband who left without explaining why.
«My mother saw him leaving one morning. She thought he was going to work, it was traumatic», Bouchera told Yabiladi, recalling that her brother was born two days after her father's departure. Miraculously, the mother succeeded in obtaining a passport and she traveled to France where she found her husband.
Abandoning life in Morocco to live in France
«My father never told us this story, he felt ashamed and guilty it was a period full of silence, regret and pain», she explained. Bouchera's mother was brave enough to reveal this part of the family's history which «has always poisoned» the parents.
«My mother was a fashion designer and she saw the country through her fashion magazines and books. But when she arrived there she found herself in a miserable shantytown in Saint-Denis, where my father lived. It was the end of an era, she left behind a modest house and a job in Morocco».
Bouchera Azzouz
While living in Saint-Denis, their house caught fire in 1969 and the parents moved to a house in Bobigny. The mother gave birth to six children while in France while the father worked as a delivery driver until his death.
In Morocco, Bouchera Azzouz's mother made fashionable dresses influenced by Paris. But once in France, she started making traditional dresses for young brides from the Maghreb region. Their living room, hence, became a reception room for all her mother's female clients.
«The strong arm of my mother»
At a very young age, Bouchera became the «assistant» of her mother. «She called me 'the old woman' because I was interested in the world of the women who came to our living room for a dress».
«Growing up, I became the right arm of my mother. My weapon was my pen», says the activist.
As a child, Bouchera wrote short stories, poems, but always hid them so that no one reads them.
«Being interested in literature in a family where science was cherished made me feel uncomfortable. It took me a long time to assume that», she told Yabiladi. But Bouchera Azzouz finally unveiled her talent after having written and directed her first documentary in 2015.
She portrayed her mother, her struggle and the difficult moments the family experienced in the suburbs.
Co-directed by Marion Stalens, Bouchera Azzouz's «Nos mères, nos daronnes» shows the path of women like her mother to improve their situation and the future of their daughters. A year later, she wrote the book «Fille de daronne et fière de l'être», after publishing «Réussir - la rage d'exister des filles des cités».
«When I am asked to introduce myself, I say I am a feminist and an activist. All the other things I do are just ways for me to share my thoughts».
Bouchera Azzouz
The documentary director wants to reveal the daily struggles of these women who suffer from inequality. «Girls from my generation, the first generation born in France, have been through a lot», she stressed. «We were exposed to racism», she added.
«We ended up having a hybrid identity, trying to preserve our history and traditions all while trying to fit in the French society».
Bouchera Azzouz
The writer and documentary maker believes that the real struggle of Moroccan women in France is «fighting for social justice, and the right of having equal opportunities». All these things make of Bouchera Azzouz a passionate woman and influence her writings and work.
Thinking of the future
A field woman who has been closely involved with local feminist associations, Bouchera Azzouz is now president and founder of the association Les Ateliers du Féminisme Populaire. Through this commitment, she defends the cause of her mother and the women of her neighborhood.
Focused on social actions, Les Ateliers du Féminisme Populaire is a structure that allows women to acquire the tools of their emancipation. This work is done through a plan developed by the association, called PAAF (support plan for women's autonomy). This gives suburban women and girls the ability to be independent and autonomous, through education, the opportunity to pursue their studies and find support to start their own projects.
Behind her camera, Bouchera Azzouz does not stay far from this fight. She is currently working on her first feature film, where she explores the mother-daughter relationship, the unspoken, the weight of what we say, and social and cultural pressure.
The activist is also finalizing her next book. «It will be talking this very special story of the first postcolonial generation that came to France and how their presence refounded the Republic», she concluded.


Cliquez ici pour lire l'article depuis sa source.