Propagande algérienne sur le Sahara : La France réitère son soutien à la souveraineté du Maroc    Akhannouch préside une réunion sur la mise en œuvre des peines alternatives    Transformation numérique : l'ACAPS lance le programme "Émergence"    Droits de douane américains : Le Maroc bénéficie d'un taux avantageux    Coopération Chili-Maroc : le président du Sénat chilien plaide pour un agenda commun    CAN U17 : Le Maroc et la Zambie se quittent sur un nul blanc    Abdellatif Ouahbi : Les peines alternatives, une étape positive dès août 2025    Le domaine de la Santé, « un vaste champ d'action » de la coopération franco-marocaine    Droits de douane de Trump : Entre menaces de riposte et appels au dialogue    Guerre commerciale : l'UE prépare sa riposte aux taxes américaines    Turquie : Décès de neuf migrants en mer Égée    Fonction publique : le Conseil de gouvernement approuve des propositions de nouvelles nominations    CAN U17 : Les Camerounais dans le rouge, les Sud-africains en standby !    CAN U17 / Zambie-Maroc: Les Chipolopolos et les Lionceaux du coup d'envoi    Achraf Hakimi signe chez Under Armour !    Liga : Feu vert pour Dani Olmo et Pau Victor avec le Barça jusqu'à la fin de la saison    CSEFRS : Passation de pouvoirs entre M. Habib El Malki et Mme Rahma Bourqia    Le Conseil de gouvernement adopte un projet de décret sur le régime de sécurité sociale    Le Conseil de la Concurrence autorise l'acquisition par le Groupe AKDITAL de deux établissements de santé à Laâyoune    Safi : Interception record de16 Tonnes de Chira !    Lutte contre les maladies infectieuses : L'IA en première ligne au 23ème congrès de la SMALMI    Le Conseil de gouvernement adopte un projet de décret-loi relatif à l'Agence nationale des eaux et forêts    SIEL 2025 : Rabat accueille la 9e semaine de la langue espagnole    Accès aux monuments historiques : Lancement de la 1ère plateforme électronique de vente de tickets    CAN U17/ Programme de la journée    Nasser Bourita reçoit le président du Parlement andin qui a exprimé son appui à l'intégrité territoriale du Maroc    Aid Al-Adha : Coût de la subvention à l'importation d'ovins en 2023-2024 atteint 437 millions de dirhams    Le FMI accorde une nouvelle ligne de crédit flexible de 4,5 milliards de dollars au Maroc    Droits de douane américains : Les Européens « prêts à réagir »    Conjoncture : la croissance de moins en moins sensible aux activités agricoles    La récolte de blé du Maroc en 2025 en dessous de la moyenne malgré les fortes pluies de mars    Le domaine de la Santé, « un vaste champ d'action » de la coopération franco-marocaine    AP-UpM: Rachid Talbi El Alami plaide pour un partenariat équilibré entre le Maroc et l'Europe    Lancement d'une nouvelle version du portail national Maroc.ma dotée d'une interface remaniée    Une subvention de 437 millions de dirhams pour l'importation d'ovins partie en fumée, sans effet notable sur les prix    Classement FIFA: le Maroc fait un bond de deux places    Les Lionnes de l'Atlas s'entraînent avant les matchs contre la Tunisie et le Cameroun    Trump impose de nouveaux tarifs douaniers et distingue les pays amis du reste du monde : 10 % pour le Maroc, 30 % pour l'Algérie et 28 % pour la Tunisie    Nouveaux droits de douane américains : 10 % pour le Maroc, le Golfe et l'Egypte... et 30 % pour l'Algérie    Le Maroc, dans le top 4 des pays au monde où l'IA est utilisée par les cadres    Le Statut de l'artiste : Désormais une réalité pour le Burkina Faso    La Côte d'Ivoire fait son cinéma au Maroc    France. Le célèbre animateur Arthur champion de la lutte contre l'antisémitisme    Francia reafirma apoyo a Marruecos sobre el Sáhara tras diálogo Macron-Tebboune    Understanding the United States' new tariff rate policies    Libye : Un ADN ancien de 7000 ans révèle une lignée de l'Afrique du Nord    Sahel : L'armée malienne répond à l'abattage de son drone Akinci    Festival Mawazine: Will Smith et Kid Cudi en têtes d'affiche    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Jazzablanca 2024 : Candy Dulfer & Hind Ennaira unite Jazz and Gnaoua for women
Publié dans Yabiladi le 09 - 06 - 2024

Dutch saxophonist and singer Candy Dulfer captivated the audience at the 17th Jazzablanca festival (June 6-8, 2024) with her greatest hits from the 1980s and 1990s. Closing the concert with a humanist message, she was joined by mâalma Hind Ennaira for a festive fusion of jazz, Gnaoua, and African rhythms.
«The Message» conveyed a message of love that Candy Dulfer wanted to share with her Moroccan audience at the 17th edition of the Jazzablanca festival (June 6-8, 2024). A headliner at this year's event, the Dutch saxophonist and singer chose to play one of her unreleased tracks. «In a world on fire right now», she declared to her many fans in front of the Casa Anfa stage, launching into the song.
Blending jazz, funk and pop, Candy Dulfer also took her audience on a journey through time, from her flagship track «Lily Was Here» from her very first album, released in 1989, to the hits of her latest opus, available since 2022. Celebrating her reunion with Morocco, since her first appearance at Jazzablanca in 2015, she also says she's delighted to meet and collaborate with local artists. Setting the stage ablaze at the close of a colorful concert, she joined her saxophone to the guembri of mâalma Hind Ennaira, both accompanied by their musicians for an original musical work, between Gnaoua, jazz, and other African sounds.
«Since I first came here, I've found that Jazzablanca is now a big, well-known festival. Playing here with Hind Ennaira on my return was the best idea, especially in these times when we're caught up in history», Candy Dulfer told Yabiladi.
Music to bridge differences
«I come from the Netherlands, a country with a large Moroccan diaspora. I also come from a country with a history of slavery. The whole spirit of Gnaoua music is an ode to freedom, peace and against slavery. I think these times are telling us that it's more important than ever for all of us to reconnect with each other», added Candy Dulfer.
«When Hind Ennaira and I first met for this artistic collaboration, we couldn't find the words to communicate. But as soon as we started playing our instruments, everything else fell into place. If we can do that through music, we can get to know each other. I see before me a strong young woman with a big heart. Each of us has an instrument in our hands to speak to others. Just as the two of us were able to do it, I think the whole world can do it too».
Candy Dulfer
For her very first appearance at Jazzablanca, Hind Ennaira said she was «honored to take the stage with Candy Dulfer, who is a great artist known worldwide». «We know that with its eclectic continental influences, Gnaoua music can go with different styles from here and elsewhere. With Candy Dulfer's style, the harmony was immediately there, and the current passed quickly. We found ourselves speaking the same language, and we didn't need anything else to understand each other, to know what each other would like to say or how we'd like to do things», says the mâalma.
These sounds are no stranger to Candy Dulfer, who has evolved within Amsterdam's very diverse music scene, as she recalls to Yabiladi: «Given the large Moroccan presence in this universe, I was led to listen to this style, without initially knowing that it was indeed Gnaoua music. And yet, I felt it to be a true soul mate of jazz».
«I hear Moroccan music and African music generally as having rhythms that correspond very much to an instrument like mine and to different types of jazz. It's a reflection of what our world should be: we can be singularly different from each other. But once we find the right note to tune to, there's no stopping us. That's the beauty of things that come from the heart».
Candy Dulfer
Breaking through the glass ceiling in the music world
In addition to its artistic aspect, this collective work orchestrated by Candy Dulfer and Hind Ennaira has taken on a dimension of promoting the presence of women on the music scene. In other words, it helps to illustrate a response to preconceived ideas about the artistic milieu, which is still seen as very male-dominated. «I really think it and I really see it. People can set limits for you, telling you that you can't go beyond them. As soon as you cross that barrier, the limit is lifted», the saxophonist told Yabiladi.
«From the moment you go far beyond an artistic barrier that has been set for you, there's no catching you, no taking you back. I went through all that myself. It was very difficult for me to be in the role of a female musician at the start of my career. But then I realized that a lot of men themselves were pushing me forward and telling me to do what I was doing. Since then, things have changed and a lot of young girls are playing saxophone, which is a great thing. But it all started just 40 years ago».
Candy Dulfer
For the Dutch artist, «Hind Ennayra is also one of those girls who grew up in a musical world where they managed to change perceptions towards their presence, their role or the idea of playing the guembri». «I'm sure many girls are following her example because they know, through her, that they can hold this instrument in their hands and be accepted as artists», added Candy Dulfer.
«I'm also sure that a lot of people enjoy seeing us with a guembri on stage, and that's the most important thing for me. We're here to create works that we love to share with our audience», said Hind Ennaira.


Cliquez ici pour lire l'article depuis sa source.