Sahara : ce que le Polisario a réclamé lors des négociations de Madrid    Maroc : Le roi félicite Mohamed Chouki, élu président du RNI    Espagne : Le Polisario tenu à l'écart des consultations bilatérales menées par Albares    Maroc : Adoption de l'horaire continu (09h-15h) pendant le ramadan    RAM : 6 nouvelles liaisons entre le nord du Maroc et l'Europe    Barrage d'Oued El Makhazine: Situation stable avec une baisse du niveau de la retenue    Inondations : les Emirats arabes unis expriment leur solidarité avec le Maroc    Mondial 2030 : Fouzi Lekjaa appelle à la concertation entre acteurs publics et privés    Ramadan working hours adjusted for Moroccan government offices and institutions    Fulbright scholars celebrated at Morocco–US reception in Washington    Nouvelle circulaire sur les règles d'interrogatoire devant le Ministère public    Ramadan sur Athakafia : Une programmation alliant spiritualité et découverte    Namibie. Plus de 80 % du territoire menacé par l'aridité    Intempéries. Le Crédit Agricole du Maroc se mobilise pour soutenir les zones sinistrées    Intempéries : Reprise progressive des cours dès ce mardi    Taza : Crues et évacuations d'urgence    Energies renouvelables : le Kenya mise sur la chaleur de la terre    Le musicien ghanéen Ebo Taylor s'est éteint à l'âge de 90 ans    Ramadan 2026 : 2M met à l'honneur la production nationale    « Twehechtek » : quand Sara Moullablad donne une voix au manque    Ministère public : nouvelles directives sur les règles d'interrogatoire des personnes déférées    CAN 2025 : beIN SPORTS annonce une audience record    OM : l'avenir de Medhi Benatia de plus en plus incertain à l'OM    Les matchs en retard bousculent la Botola avant le Ramadan    José Mourinho en pole position pour diriger le Portugal après le Mondial 2026    France : 2025, année du réveil du crédit immobilier    Office des changes : le système d'information au cœur d'un tournant stratégique    Hamid Bentahar : "Nous refusons déjà des clients faute de capacité"    Mondial 2030 : Lekjaa souligne le rôle central de la Vision Royale dans le succès marocain    Lutte contre la corruption : L'INPPLC et l'ANGSPE s'allient pour renforcer les principes de probité    Les fortes pluies ont endommagé 163 routes et fermé plusieurs axes dans le Nord    Xi Jinping : l'autonomie en sciences et technologies..clé de la construction de la Chine moderne    Sénégal: Un étudiant tué après des affrontements avec les forces de l'ordre    Inondations : les Emirats arabes unis expriment leurs condoléances et leur solidarité avec le Maroc    Zone OCDE : l'inflation globalement stable à 3,7% en décembre 2025    Le Marché dar Essalam enrichit le quotidien avec l'ouverture de son aile ouest et du cinéma pathé    Arsène Wenger tranche : le Maroc au niveau des géants européens    Liga : Villarreal à l'affût pour Sofyan Amrabat ?    Le retour d'Azzedine Ounahi se précise après des semaines d'absence    Washington intercepte un pétrolier défiant le blocus sur le Venezuela    Maroc : La Cour des comptes pointe les retards et failles des programmes de développement territorial    Grève ferroviaire en Espagne : un accord trouvé pour améliorer la sécurité des conducteurs et du réseau    Températures prévues pour le mercredi 11 février 2026    Casablanca : Une campagne pour réorganiser les terrasses de cafés dans le quartier 2 Mars    Amara : Le chantier de généralisation de la protection sociale, un choix stratégique impulsé par le Roi    L'Année au Galop    SNRT unveils Al Aoula's Ramadan 2026 schedule with diverse programming    CMG achève la quatrième répétition du Gala du Nouvel An chinois 2026    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Diaspo #137 : Saïd Tichiti, master of Amazigh-Hassani music in Hungary
Publié dans Yabiladi le 28 - 03 - 2020

Musician and singer Saïd Tichiti has lived in Budapest for 22 years. In Hungary, this Guelmim-native is undoubtedly an ambassador of Moroccan music, with Amazigh, Gnawa and Hassani influences.
For generations, the city of Guelmim has been known for its musical traditions, with songs influenced by Tamazight, Arabic and Hassaniya. It is in this artistic, linguistic and cultural richness that Saïd Tichiti was born and grew up. To him, music is a family heirloom.
«My father played in the Ganga groups and my mother in the Berber-Hassani Guedra bands, my parents were therefore my first artistic school», Saïd Tichiti proudly said.
«My five other older brothers were also very active in music, even if they were more influenced by Nass El Ghiwan and the Beatles in the 1970s», the artist explained. His four half-sisters also contribute to the artistic world of the family, by performing in all-female groups of traditional music and dance.
It is in this artistic universe that Saïd Tichiti learned percussion and songs from his earliest childhood. In nursery school, he used to perform at parties and musical afternoons. He believes that having been born in a city famous for its artistic heritage was a blessing : «Guelmim is a very eclectic city, historically, socially and musically. It is enriched by its tribal and linguistic diversity».
«We grew up in an extraordinary cohabitation and fusion, our identity is a real mosaic. In the same district, we rubbed shoulders with Amazigh-speaking neighbors, who lived right in front of Arabic-speaking families and other Hassanians, but we all understood each other and we lived in perfect harmony, without asking ourselves any questions».
Saïd Tichiti
Following his ancestors' path, across the borders
After his baccalaureate, Saïd Tichiti moved to Rabat in 1991 to pursue higher education. While at the Higher Institute of Dramatic Arts and Cultural Animation (ISADAC), he rubbed shoulders with Said Bey, Driss Roukh, Samia Akariou, Salima Benmoumen and Latefa Ahrrare among others. An artistic vibe got Saïd Tichiti to be coopted by the artists for a commedia dell'arte tour:
«I was not predestined to go on stage as an actor. Besides, I specialized in cultural animation at ISADAC. But the sixth class, to which Latefa Ahrrare was taking part, needed me to replace an actor. We did two years of touring. It was a great time in my life».
Saïd Tichiti
At ISADAC, Saïd Tichiti also expressed his talents in cooking. With amusement, he explains that he was «the official cook for lentil and white bean soup, among [his] comrades», in a school located at the time below the Oudaya, facing the Bouregreg River in Rabat.
With his ISADAC diploma in hand, Saïd Tichiti left Morocco in 1996 for postgraduate studies in France, after receiving a scholarship issued by the French government.
A crossing point to Budapest
In Paris, Saïd Tichiti chose a course in Cultural Policy and Artistic Action. «I was very lucky because I met foreign students from the world over. I lived in a student town with a cosmopolitan atmosphere, where people from 112 countries rubbed shoulders», he explained.
«I lived in a cosmopolitan culture day and night! We were a group from Latin America and Africa; we went several times a week to the cinema and the theater. I did not evolve in an exclusively French-speaking environment», he stressed. Saïd Tichiti believes himself lucky to have had so many professional trips, which have taken him to Canada, the European Parliament or the Festival d'Avignon among others.
It is also in France that Saïd Tichiti met his wife, a Hungarian student back in the time. After earning his postgraduate degree (DESS), they settled in Budapest in 1998. The artist discovered a new universe there : «I had never considered living outside Morocco, but my fate led me to Hungary. I fell in love with Budapest from the first day, but I had a cultural shock when I arrived», he said.
The artist explained that it took him some time to overcome the language barrier. «It was difficult for me to adapt to the Hungarian language in the beginning», he acknowledged. Theater caught up with him again eventually, and allowed him to learn even faster as he had to perform roles on the local scene.
«Having lots of friends sped up my integration. With the birth of my two children, I excelled in Hungarian since I spoke it even more with them!»
Saïd Tichiti
A prolific musical career in Hungary
Saïd Tichiti was particularly impressed by the way, throughout the country and across all social classes, the population gives a lot of importance to artistic and sports education since childhood. In a city as open and culturally diverse as Budapest, the Moroccan artist found his place quickly.
«As a musician, it was easy for me to find artists open to different genres and able to adhere to my traditional musical universe», said Saïd Tichiti, who once rubbed shoulders with classical and jazz musicians who quickly adhered to his Amazigho-Hassani style. Thus, in 2000, barely two years after his arrival in the country, he created his band, Chalaban.
Being a melting pot of different nationalities, Chalaban aims to act as a vessel of the ancestral musical education he had been acquiring since childhood.
«I don't just play music and greet my audience before I disappear. I create a conversation with this audience; I talk to them about the origins of my music, my hometown. My performances are music with mini-conferences».
Saïd Tichiti
The concert was a major step in the path towards fame. «After this concert, we had invitations from all over Hungary. A year later, we released our first album». After becoming the rising star of the Hungarian music scene, Saïd Tichiti did not hesitate to share his success with his fellow compatriots by inviting Gnaoua music bandleaders. «Through my work, I encourage Hungarian programmers to integrate these artists into their events», he told Yabiladi.
Indeed, it is through Saïd Tichiti that the Hungarian public discovered Mahmoud Guinea, Hamid El Kasri or Othmane El Khaloufi. «We also took advantage of Ramadan when it coincided with other religious festivals, to invite artists of Moroccan Jewish music and gypsy troops from Hungary, in order to embody the cosmopolitanism that we live», Chalaban's leader recalled.
As of today, Chalaban has recorded six albums and will soon celebrate its twentieth birthday : «We had planned a promotional tour for our 20 years, but because of the global pandemic, these deadlines could be postponed to 2021», explained Saïd Tichiti, full of hope.


Cliquez ici pour lire l'article depuis sa source.