Maroc : La Cour des comptes pointe les retards et failles des programmes de développement territorial    Sahara marocain : La réunion de Madrid relance un processus au cœur des équilibres régionaux    Financement participatif destiné à l'habitat : l'encours progresse à 29,7 MMDH en 2025    Cours des devises du mardi 10 février 2026    Essaouira dans le top 10 mondial des destinations pour les retraités français pour 2026    Washington intercepte un pétrolier défiant le blocus sur le Venezuela    Grève ferroviaire en Espagne : un accord trouvé pour améliorer la sécurité des conducteurs et du réseau    Nouvelle circulaire sur les règles d'interrogatoire des personnes déférées devant le Ministère public    Reprise des cours à Tanger, M'diq-Fnideq, Al Hoceima et Ouezzane    Températures prévues pour le mercredi 11 février 2026    Al Hoceima: Mobilisation pour la réouverture des routes suite aux intempéries    Tafilalet. Le retour de l'eau relance l'espoir agricole    Marché des capitaux. Casablanca à l'heure du grand tournant    Intempéries : l'Education nationale assure la continuité scolaire    Elam Jay signe son retour avec « BAN SHITA NO »    Amara : Le chantier de généralisation de la protection sociale, un choix stratégique impulsé par le Roi    José Manuel Albares reçoit Nasser Bourita et Staffan De Mistura à Madrid dans le cadre des consultations sur le Sahara marocain    Immigration irrégulière : le Royaume-Uni conclut un accord avec la RD Congo    Raid sahraouiya 2026 : La rivalité monte d'un cran    CAF : Patrice Motsepe convoque une réunion extraordinaire cette semaine    PSG: Luis Enrique n'écarte pas une possible prolongation au-delà de 2027    Forum parlementaire : Ould Errachid souligne la pertinence du chantier de l'État social    Talbi Alami : La décision d'Akhannouch incarne la démocratie et l'éthique politique    Rencontre de Madrid... La question du Sahara marocain entre dans une phase décisive : vers une mise en œuvre internationale de l'autonomie    Guelmim-Oued Noun : plus de 36.000 touristes ont visité la région en 2025    Décarbonation : 70 % des PME marocaines déjà engagées, selon une enquête de la BEI    Intempéries : le Crédit Agricole du Maroc déploie un dispositif exceptionnel de soutien aux zones sinistrées    L'Année au Galop    Morocco: Heavy rains and strong winds from Monday to Tuesday    Sahara talks: First official reaction from the Trump Administration    El Houafate: Varias iniciativas de apoyo a las poblaciones afectadas    Sahara - Négociations : Première réaction de l'administration Trump    Un ferry écossais réussit un sauvetage en mer dans les eaux marocaines    SNRT unveils Al Aoula's Ramadan 2026 schedule with diverse programming    Des tombes musulmanes datées d'Al-Andalus découvertes à Estepona    Starlink lance ses activités au Sénégal    Coupe Davis: Grande prestation du Maroc malgré la défaite face à la Colombie    Ligue des champions (groupe B): L'AS FAR prend une sérieuse option    Athlétisme : Accra hôte des Championnats d'Afrique seniors 2026    Mercato : Youssef En-Nesyri signe à Al-Ittihad    Feyenoord verrouille son jeune talent marocain, Nassim El Harmouz    Japon. la victoire électorale de Sanae Takaichi enchante les investisseurs    Xi Jinping en visite dans un complexe d'innovation en technologies de l'information à Pékin    Présidentielle au Portugal: Large victoire du candidat Antonio José Seguro    CMG achève la quatrième répétition du Gala du Nouvel An chinois 2026    Al Aoula mise sur l'émotion et l'engagement pour Ramadan    Les Afropéennes célèbrent la diversité à Lomé    L'Orchestre Symphonique Royal fait résonner l'âme de Respighi à Casablanca    







Merci d'avoir signalé!
Cette image sera automatiquement bloquée après qu'elle soit signalée par plusieurs personnes.



Diaspo #137 : Saïd Tichiti, master of Amazigh-Hassani music in Hungary
Publié dans Yabiladi le 28 - 03 - 2020

Musician and singer Saïd Tichiti has lived in Budapest for 22 years. In Hungary, this Guelmim-native is undoubtedly an ambassador of Moroccan music, with Amazigh, Gnawa and Hassani influences.
For generations, the city of Guelmim has been known for its musical traditions, with songs influenced by Tamazight, Arabic and Hassaniya. It is in this artistic, linguistic and cultural richness that Saïd Tichiti was born and grew up. To him, music is a family heirloom.
«My father played in the Ganga groups and my mother in the Berber-Hassani Guedra bands, my parents were therefore my first artistic school», Saïd Tichiti proudly said.
«My five other older brothers were also very active in music, even if they were more influenced by Nass El Ghiwan and the Beatles in the 1970s», the artist explained. His four half-sisters also contribute to the artistic world of the family, by performing in all-female groups of traditional music and dance.
It is in this artistic universe that Saïd Tichiti learned percussion and songs from his earliest childhood. In nursery school, he used to perform at parties and musical afternoons. He believes that having been born in a city famous for its artistic heritage was a blessing : «Guelmim is a very eclectic city, historically, socially and musically. It is enriched by its tribal and linguistic diversity».
«We grew up in an extraordinary cohabitation and fusion, our identity is a real mosaic. In the same district, we rubbed shoulders with Amazigh-speaking neighbors, who lived right in front of Arabic-speaking families and other Hassanians, but we all understood each other and we lived in perfect harmony, without asking ourselves any questions».
Saïd Tichiti
Following his ancestors' path, across the borders
After his baccalaureate, Saïd Tichiti moved to Rabat in 1991 to pursue higher education. While at the Higher Institute of Dramatic Arts and Cultural Animation (ISADAC), he rubbed shoulders with Said Bey, Driss Roukh, Samia Akariou, Salima Benmoumen and Latefa Ahrrare among others. An artistic vibe got Saïd Tichiti to be coopted by the artists for a commedia dell'arte tour:
«I was not predestined to go on stage as an actor. Besides, I specialized in cultural animation at ISADAC. But the sixth class, to which Latefa Ahrrare was taking part, needed me to replace an actor. We did two years of touring. It was a great time in my life».
Saïd Tichiti
At ISADAC, Saïd Tichiti also expressed his talents in cooking. With amusement, he explains that he was «the official cook for lentil and white bean soup, among [his] comrades», in a school located at the time below the Oudaya, facing the Bouregreg River in Rabat.
With his ISADAC diploma in hand, Saïd Tichiti left Morocco in 1996 for postgraduate studies in France, after receiving a scholarship issued by the French government.
A crossing point to Budapest
In Paris, Saïd Tichiti chose a course in Cultural Policy and Artistic Action. «I was very lucky because I met foreign students from the world over. I lived in a student town with a cosmopolitan atmosphere, where people from 112 countries rubbed shoulders», he explained.
«I lived in a cosmopolitan culture day and night! We were a group from Latin America and Africa; we went several times a week to the cinema and the theater. I did not evolve in an exclusively French-speaking environment», he stressed. Saïd Tichiti believes himself lucky to have had so many professional trips, which have taken him to Canada, the European Parliament or the Festival d'Avignon among others.
It is also in France that Saïd Tichiti met his wife, a Hungarian student back in the time. After earning his postgraduate degree (DESS), they settled in Budapest in 1998. The artist discovered a new universe there : «I had never considered living outside Morocco, but my fate led me to Hungary. I fell in love with Budapest from the first day, but I had a cultural shock when I arrived», he said.
The artist explained that it took him some time to overcome the language barrier. «It was difficult for me to adapt to the Hungarian language in the beginning», he acknowledged. Theater caught up with him again eventually, and allowed him to learn even faster as he had to perform roles on the local scene.
«Having lots of friends sped up my integration. With the birth of my two children, I excelled in Hungarian since I spoke it even more with them!»
Saïd Tichiti
A prolific musical career in Hungary
Saïd Tichiti was particularly impressed by the way, throughout the country and across all social classes, the population gives a lot of importance to artistic and sports education since childhood. In a city as open and culturally diverse as Budapest, the Moroccan artist found his place quickly.
«As a musician, it was easy for me to find artists open to different genres and able to adhere to my traditional musical universe», said Saïd Tichiti, who once rubbed shoulders with classical and jazz musicians who quickly adhered to his Amazigho-Hassani style. Thus, in 2000, barely two years after his arrival in the country, he created his band, Chalaban.
Being a melting pot of different nationalities, Chalaban aims to act as a vessel of the ancestral musical education he had been acquiring since childhood.
«I don't just play music and greet my audience before I disappear. I create a conversation with this audience; I talk to them about the origins of my music, my hometown. My performances are music with mini-conferences».
Saïd Tichiti
The concert was a major step in the path towards fame. «After this concert, we had invitations from all over Hungary. A year later, we released our first album». After becoming the rising star of the Hungarian music scene, Saïd Tichiti did not hesitate to share his success with his fellow compatriots by inviting Gnaoua music bandleaders. «Through my work, I encourage Hungarian programmers to integrate these artists into their events», he told Yabiladi.
Indeed, it is through Saïd Tichiti that the Hungarian public discovered Mahmoud Guinea, Hamid El Kasri or Othmane El Khaloufi. «We also took advantage of Ramadan when it coincided with other religious festivals, to invite artists of Moroccan Jewish music and gypsy troops from Hungary, in order to embody the cosmopolitanism that we live», Chalaban's leader recalled.
As of today, Chalaban has recorded six albums and will soon celebrate its twentieth birthday : «We had planned a promotional tour for our 20 years, but because of the global pandemic, these deadlines could be postponed to 2021», explained Saïd Tichiti, full of hope.


Cliquez ici pour lire l'article depuis sa source.